Abstracts, slide presentations, and transcripts from playback 1996, a conference
on video preservation, held in San Francisco March 29-30, 1996 and hosted
by BAVC, the nation's first independent, non-commercial video preservation
facility.
See also: PLAYBACK:
Preserving Analog Video, "an interactive DVD [produced and for sale by BAVC] that invites users to view the technical practices of video preservation and to experience the complex decision-making process artists, conservators and video engineers engage in when the reconstruction of video artwork occurs."
"An on-going research initiative which documents video art and community
television, as it evolved in rural and urban New York State, and across the
US." Includes a useful section on "Video
Preservation - The Basics."
This resource, prepared by the Preservation Committee of The
Association of Moving Image Archivists, offers guidance to custodians
of archival video collections of any size. The coverage of topics aims to
be comprehensive and the discussion uses non-technical language to focus on
the fundamental issues concerning the long-term care and handling of videotape.
Informative site from a vendor that provides magnetic media duplication,
restoration, digitization, and consulting services. Includes images of historic
a-v equipment and a list of resources.
Video Preservation: Securing the Future of the Past. New York:
Media Alliance. 1993.
Ray Edmondson
Audiovisual
Archiving: Philosophy and Principles [PDF]. Written in commemoration of
the 25th anniversary of the UNESCO Recommendation for the Safeguarding and
Preservation of Moving Images. 2004.
Jim Feeley
"Tape Formats Compared: How do DV formats measure up with Betacam SP and
601?" In Digital Video Magazine
May 1999.
Steven Davidson and Gregory Lukow
The Administration of Television Newsfilm and Videotape Collections:
A Curatorial Manual. Los Angeles and Miami: American Film Institute
and the Louis Wolfson II Media History Center. 1997. Covers the range of archival
issues, including several chapters on preservation.
Audiovisual
Archives: A Practical Reader. Compiled for the General Information Programme
and UNISIST under the auspices of United Nations Educational, Scientific and
Cultural Organization (UNESCO). Section VII includes: "Preservation of
Audio and Video Materials in Tropical Countries" and "Strategies
for the Safeguarding of Audio and Video Materials in the Long Term" by
Dietrich Schüller, Phonogrammarchiv, Vienna. Section XII includes "Emergency
Preparedness and Disaster Recovery in Audiovisual Collections" by Gerald
D. Gibson, Library of Congress, Washington DC. 1987.
Peter Hodges
An Introduction to Video and Audio Measurement. Boston: Focal
Press. Third edition, 2004.
"The
Conservation and Documentation of Video Art" [pdf] In Modern Art: Who
Cares? (Amsterdam: International Network for the Conservation of Contemporary
Art): 263-271. 1999. From a symposium organized by INCCA on the unique preservation
and conservation challenges posed by installation art and other contemporary
art forms. Other papers from the symposium are available from INCCA's
Web site.
Library of Congress Preservation Directorate
Research and Testing Publications.
Provides a listing of printed reports which are available at no charge to
the public upon request. Several address audiovisual materials specifically,
including the most recent report issued in February 2002, "Bibliography on
the Preservation of Magnetic Media" by Gerald D. Gibson.
Paul Messier
"Dara Birnbaum's Tiananmen Square: Break-In Transmission: A Case
Study in the Examination, Documentation, and Preservation of a Video-Based
Installation". In Journal of the American Institute for Conservation
Vol. 40, No. 3: 193-209. From the TechArcheology Symposium organized with
the Bay Area Video Coalition at the San Francisco Museum of Modern Art in
January 2000. This issue features other articles on electronic media preservation
which emerged from discussions which took place at this pioneering event.
2001.
"Preservation and Conservation of Video Tape." In Care of Photographic,
Moving Image and Sound Collections: Conference Papers, York, England, July
20-24, 1998, edited by Susie Clark (Worcestershire: Insitute of Paper
Conservation): 6-10. 1999.
"Broadcast
Archives: Preserving the Future." [pdf] Describes the results of a survey
of holdings within ten major European public service broadcasting archives
and their preservation needs.
Video Format Identification Guide
An invaluable tool, complete with color photographs, format obsolescence ratings,
and a glossary of terms. Created with the assistance of the American Institute
for Conservation's Electronic Media Group and Jim Lindner/VidiPax. (NOTE: This URL points to the site preserved by the Internet Archive in February 2006.)
While chapter seven specifically addresses Audio/Video
Capture and Management, other sections of this guide provide information
relevant to digital video and preservation, such as the appendices on equipment,
metadata, digital data capture by sampling and a very extensive bibliography.
Produced by the Humanities Advanced Technology and Information Institute (HATII),
University of Glasgow, and the National Initiative for a Networked Cultural
Heritage (NINCH). 2002.
"The EVIA Digital Archive project is a joint effort of Indiana University and the University of Michigan to establish a digital archive of ethnomusicological video for use by scholars and instructors."
A project of Thirteen/WNET, WGBH, the Public Broadcasting Service, and New York University; funded by the Library of Congress. Includes a list of related reports and documents.
"Under the Culture 2000 programme of the EU, TAPE is a 3-year project for raising awareness and training by expert meetings, research, publications and workshops."
Includes a searchable database of literature references to resources on preservation and digitisation of audiovisual materials.
"Five institutions . . . established the Video Development Initiative (ViDe)
in 1998 to identify and prioritize digital video development issues." Offers
access to resources
on video, especially metadata, and includes a publication titled, "Digital
Video for the Next Millenium", which "provides an overview of digital
video on demand -- the underlying technology, the client/server capabilities
currently available and development areas for the near future."
EAI, which houses and distributes one of the country's largest historical
collections of independent video, has a preservation
program and sponsors IMAP.
The Advanced Television Systems Committee (ATSC) was formed by the
Joint Committee on Inter-Society Coordination (JCIC) to establish
voluntary technical standards for advanced television systems,
including digital high definition television (HDTV). ATSC suggests
positions to the Department of State for their use in international
standards organizations. ATSC proposes standards to the Federal
Communications Commission.
"A service, education, and advocacy consortium, IMAP was organized in 1999 to ensure the preservation of independent electronic media for cultural and educational use by future generations."
The International Federation of Television Archives (FIAT/IFTA)
is a non-profit association of television archives, set up on June
13th, 1977 in Rome by the BBC, RAI, ARD, and INA.
" . . . an independent, non-profit organization created to fulfill a long-standing
need by raising private funds and providing grants to support preservation
and access projects at institutions with television and video collections
throughout the United States."
Involving a number of European partners, "the project's objective is to provide technical solutions and integrated systems for a complete digital preservation of all kinds of audio-visual collections."
"SEAPAVAA . . . is an association of organizations and individuals involved
in, or interested in the development of audiovisual archiving in a particular
geographic region - the countries of Southeast Asia . . ., Australasia . .
. , and the Pacific Islands."
AMIA-L is an e-mail discussion list sponsored by
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related disciplines interested in issues relevant to the
association, to archival issues involving all aspects of moving
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